A new piece of concept art for Shang-Chi and the Legend of the Ten Rings reveals an alternate monster design that really did not make the final cut of the movie. The MCU has now invested much of Phase 4 introducing a new actors of heroes for audiences to grow to enjoy, with Simu Liu’s Shang-Chi being one of the very first. The movie was launched in 2021 to generally favorable reviews from both target markets and movie critics, with lots of praising Liu’s efficiency, Tony Leung’s Wenwu, and the motion picture’s expedition of Chinese culture.
Shang-Chi begins the flick as a car parking valet yet, after being struck by the criminal Ten Rings company, he’s forced to challenge and also welcome components of his past. While much of the movie includes action based around Shang-Chi’s hand-to-hand combat with participants of the Ten Rings, the climax introduces a number of mythical creatures as the heroes travel to the village of Ta-Lo in an alternate dimension. There, Wenwu tries to open the Gate, a portal to another, wicked dimension full of demonic monsters. After eviction is breached, Shang-Chi combats the Dweller-in-Darkness, an inhuman monster, and the villagers of Ta-Lo challenge against demonic heart eaters.
In an outstanding new piece of concept art, artist Jerad S. Marantz reveals an alternate monster design that really did not wind up making the final cut of the film. It’s uncertain if the concept art represents an alternate look for the Dweller-in-Darkness or if the design was meant for among the demonic soul eaters instead, yet the monster portrayed functions a scary, bone-like face and a body that splits into numerous tails. Have a look at the concept art listed below:
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The animal that Marantz provides is visibly scarier than the one that Liu’s Shang-Chi battles versus in the critical battle, potentially hinting that the sequence might have, at one point, been conceived as something much darker in tone. With the intro of demonic beings right into the world of the tale, Shang-Chi and the Legend of the Ten Rings most likely had loads of concept illustrations that really did not wind up making the final cut. Although concept art is an integral part of pre-production for many films, it’s particularly vital for VFX-heavy manufacturings like the ones in the MCU, with animal, character, as well as established layouts usually going through multiple iterations prior to one is picked for the final cut.
The intro of the MCU’s first Asian superhero was a significant progression for the franchise, as was the movie’s exploration of elements of Chinese society. While much of the movie is lighter in tone, the concept art hints that the satanic forces Shang-Chi fights against were practically much scarier. With the majority of the criticism of Shang-Chi and the Legend of the Ten Rings being focused around the movie’s effects-heavy 3rd act, the intro of a much scarier soul-eating monster, like the one from Marantz’ concept art, certainly would’ve dramatically altered the tone of the battle.